front cover of Chicano Politics and Society in the Late Twentieth Century
Chicano Politics and Society in the Late Twentieth Century
Edited by David Montejano
University of Texas Press, 1999

The various protest movements that together constituted the Chicano Movement of the 1960s and 1970s urged a "politics of inclusion" to bring Mexican Americans into the mainstream of United States political and social life. This volume of ten specially commissioned essays assesses the post-movement years, asking "what went wrong? what went right? and where are we now?" Collectively, the essays offer a wide-ranging portrayal of the complex situation of Mexican Americans as the twenty-first century begins.

The essays are grouped into community, institutional, and general studies, with an introduction by editor Montejano. Geographically, they point to the importance of "Hispanic" politics in the Southwest, as well as in Chicago wards and in the U.S. Congress, with ramifications in Mexico and Central America. Thematically, they discuss "non-traditional" politics stemming from gender identity, environmental issues, theatre production, labor organizing, university policymaking, along with the more traditional politics revolving around state and city government, the Congressional Hispanic Caucus, and various advocacy organizations.

[more]

front cover of DES Daughters, Embodied Knowledge, and the Transformation of Women's Health Politics in the Late Twentieth Century
DES Daughters, Embodied Knowledge, and the Transformation of Women's Health Politics in the Late Twentieth Century
Susan E. Bell
Temple University Press, 2009
From the 1940s to the 1970s, millions of women were exposed prenatally to the synthetic estrogen DES, a “wonder drug” intended to prevent miscarriages. However, DES actually had damaging consequences for the women born from DES mothers. The “DES daughters” as they are known, were found to have a rare form of vaginal cancer or were infertile. They were also at risk for miscarriages, stillbirths, and ectopic pregnancies.

In DES Daughters, Susan Bell recounts the experiences of this generation of “victims.” In moving, heartfelt narratives, she presents the voices of those women who developed cancer, those who were cancer-free but have concerns about becoming pregnant, and those who suffered other medical and/or reproductive difficulties.

Bell examines the hierarchy of knowledge and power of scientists, doctors, and daughters, tracing the emergence of a feminist health movement. The “embodied knowledge” of these DES daughters prompted them to become advocates and form a social movement that challenged reproductive medical knowledge specifically, but also the politics of women’s health in general. Bell’s important book chronicles the history and future of these grassroots activists born out of illness, suffering, and uncertainty.
[more]

front cover of Masculinity Besieged?
Masculinity Besieged?
Issues of Modernity and Male Subjectivity in Chinese Literature of the Late Twentieth Century
Xueping Zhong
Duke University Press, 2000
In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China’s ongoing quest for modernity.
Before the 1990s onslaught of popular culture decentered the role of intellectuals within the nation, they had come to embody Chinese masculinity during the previous decade. The focus on masculinity in literature had become unprecedented in scale and the desire for “real men” began to permeate Chinese popular culture, making icons out of Rambo and Takakura Ken. Stories by Zhang Xianliang and Liu Heng portraying male anxiety about masculine sexuality are employed by Zhong to show how “marginal” males negotiate their sexual identities in relation to both women and the state. Looking at writers popular among not only the well-educated but also the working and middle classes, she discusses works by Han Shaogong, Yu Hua, and Wang Shuo and examines instances of self-loathing male voices, particularly as they are articulated in Mo Yan’s well-known work Red Sorghum. In her last chapter Zhong examines “roots literature,” which speaks of the desire to create strong men as a part of the effort to create a geopolitically strong Chinese nation. In an afterword, Zhong situates her study in the context of the 1990s.
This book will be welcomed by scholars of Chinese cultural studies, as well as in literary and gender studies.
[more]

front cover of Measuring America
Measuring America
How Economic Growth Came to Define American Greatness in the Late Twentieth Century
Andrew L. Yarrow
University of Massachusetts Press, 2010
The United States has always fancied itself a nation apart—"exceptional" in its values, traditions, and way of life. For most of the country's history, ideas about what made America distinctive generally were framed in terms of a liberal idealism rooted in the thought of John Locke and articulated by Jefferson, Madison, and other Founders. While some commentators also observed that the United States was a land of plenty, it wasn't until the mid-twentieth century that material abundance emerged as the principal standard of American "greatness," as measured by a host of new economic indicators.

Beginning in earnest in the wake of World War II, opinion-shapers in politics, business, academia, the media, the schools, and public diplomacy gloried in the nation's booming economy. Where "plenty" had once been a largely abstract concept, it was now quantifiable, thanks to new national income accounting and other economic data collection and analysis techniques. One could tally up production and consumption of an ever-expanding cornucopia of goods and services that made up the gross national product (GNP), the king of postwar statistics. American preeminence and American identity were increasingly linked with this measurable prosperity, presented in the language of a newly influential economics profession.

In Measuring America, Andrew L. Yarrow explores this history, telling two parallel, interlocking stories—of how economic ideas came to have vastly greater influence on American culture after World War II, and how those ideas dovetailed with a growing belief that the meaning and value of the United States resided in its material output. How and why this new way of "measuring America" developed, how it was expressed, and what it has meant and means for Americans today are the subject of this well-researched and insightful book.
[more]

front cover of Navajo Weaving in the Late Twentieth Century
Navajo Weaving in the Late Twentieth Century
Kin, Community, and Collectors
Ann Lane Hedlund
University of Arizona Press, 2004
According to the Navajos, the holy people Spider Man and Spider Woman first brought the tools for weaving to the People. Over the centuries Navajo artists have used those tools to weave a web of beauty—a rich tradition that continues to the present day.

In testimony to this living art form, this book presents 74 dazzling color plates of Navajo rugs and wall hangings woven between 1971 and 1996. Drawn from a private southwestern collection, they represent the work of sixty of the finest native weavers in the American Southwest. The creations depicted here reflect a number of styles—revival, sandpainting, pictorial, miniature, sampler—and a number of major regional variations, from Ganado to Teec Nos Pos.

Textile authority Ann Hedlund provides an introductory narrative about the development of Navajo textile collecting—including the shift of attention from artifacts to art—and a brief review of the history of Navajo weaving. She then comments on the shaping of the particular collection represented in the book, offering a rich source of knowledge and insight for other collectors.

Explaining themes in Navajo weaving over the quarter-century represented by the Santa Fe Collection, Hedlund focuses on the development of modern rug designs and the influence on weavers of family, community, artistic identity, and the marketplace. She also introduces each section of plates with a description of the representative style, its significance, and the weavers who perpetuate and deviate from it. In addition to the textile plates, Hedlund’s color photographs show the families, landscapes, livestock, hogans, and looms that surround today’s Navajo weavers.

Navajo Weaving in the Late Twentieth Century explores many of the important connections that exist today among weavers through their families and neighbors, and the significant role that collectors play in perpetuating this dynamic art form. For all who appreciate American Indian art and culture, this book provides invaluable guidance to the fine points of collecting and a rich visual feast.
[more]

front cover of Routes
Routes
Travel and Translation in the Late Twentieth Century
James Clifford
Harvard University Press, 1997

When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum.

In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain "postcolonial" and "tribal" identities in contexts of domination and globalization.

Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation.

[more]

front cover of Theatre Is More Beautiful Than War
Theatre Is More Beautiful Than War
German Stage Directing in the Late Twentieth Century
Carlson, Marvin
University of Iowa Press, 2009

In almost every area of production, German theatre of the past forty years has achieved a level of distinction unique in the international community. This flourishing theatrical culture has encouraged a large number of outstanding actors, directors, and designers as well as video and film artists. The dominant figure throughout these years, however, has remained the director. In this stimulating and informative book, noted theatre historian Marvin Carlson presents an in-depth study of the artistic careers, working methods, and most important productions of ten of the leading directors of this great period of German staging.

Beginning with the leaders of the new generation that emerged in the turbulent late 1960s—Peter Stein, Peter Zadek, and Claus Peymann, all still major figures today—Carlson continues with the generation that appeared in the 1980s, particularly after reunification—Frank Castorf, Anna Viebrock, Andrea Breth, and Christoph Marthaler—and concludes with the leading directors to emerge after the turn of the century, Stefan Pucher, Thomas Ostermeier, and Michael Thalheimer. He also provides information not readily available elsewhere in English on many of the leading actors and dramatists as well as the designers whose work, much of it for productions of these directors, has made this last half century a golden age of German scenic design.

During the late twentieth century, no country produced so many major theatre directors or placed them so high in national cultural esteem as Germany. Drawing on his years of regular visits to the Theatertreffen in Berlin and other German productions, Carlson will captivate students of theatre and modern German history and culture with his provocative, well-illustrated study of the most productive and innovative theatre tradition in Europe.

[more]

front cover of This Is Our Land
This Is Our Land
Grassroots Environmentalism in the Late Twentieth Century
Ferguson, Cody
Rutgers University Press, 2015
In the last three decades of the twentieth century, the environmental movement experienced a quiet revolution. In This is Our Land, Cody Ferguson documents this little-noted change as he describes the efforts of three representative grassroots groups—in Montana, Arizona, and Tennessee—revealing how quite ordinary citizens fought to solve environmental problems. 
 
Here are stories of common people who, confronting environmental threats to the health and safety of their families and communities, bonded together to protect their interests. These stories include successes and failures as citizens learned how to participate in their democracy and redefined what participation meant. Equally important, Ferguson describes how several laws passed in the seventies—such as the National Environmental Policy Act—gave citizens the opportunity and the tools to fight for the environment. These laws gave people a say in the decisions that affected the world around them, including the air they breathed, the water they drank, the land on which they made their living, and the communities they called home. Moreover, Ferguson shows that through their experiences over the course of the 1970s, ‘80s, and ‘90s, these citizen activists broadened their understanding of “this is our land” to mean “this is our community, this is our country, this is our democracy, and this is our planet.” As they did, they redefined political participation and expanded the ability of citizens to shape their world. 
 
Challenging us to see activism in a new way, This is Our Land recovers the stories of often-unseen citizens who have been vitally important to the environmental movement. It will inspire readers to confront environmental threats and make our world a safer, more just, and more sustainable place to live.    
 
 
[more]

front cover of Warriors Without War
Warriors Without War
Seminole Leadership in the Late Twentieth Century
Patricia Riles Wickman
University of Alabama Press, 2012

Warriors Without War takes readers beneath the placid waters of the Seminole’s public image and into the fascinating depths of Seminole society and politics.
 
For the entire last quarter of the twentieth century, the Seminole Tribe of Florida, a federally recognized American Indian Tribe, struggled as it transitioned from a tiny group of warriors into one of the best-known tribes on the world’s economic stage through their gaming enterprises. 
 
Caught between a desperate desire for continued cultural survival and the mounting pressures of the non-Indian world—especially, the increasing requirements of the United States government— the Seminoles took a warriorlike approach to financial risk management.  Their leader was the sometimes charming, sometimes crass and explosive, always warriorlike James Billie, who twice led the tribe in fights with the State of Florida that led all the way to the US Supreme Court.
 
Patricia Riles Wickman, who lived and worked for fifteen years with the Seminole people, chronicles the near-meteoric rise of the tribe and its leader to the pinnacle of international fame, and Billie’s ultimate fall after twenty-four years in power.  Based partly on her own personal experiences working with the Seminole Tribe of Florida, Wickman has produced an in-depth study of the rise of one of the largest Indian gaming operations in the United States that reads almost like a Capote nonfiction novel.
[more]

front cover of Who Owns Religion?
Who Owns Religion?
Scholars and Their Publics in the Late Twentieth Century
Laurie L. Patton
University of Chicago Press, 2019
Who Owns Religion? focuses on a period—the late 1980s through the 1990s—when scholars of religion were accused of scandalizing or denigrating the very communities they had imagined themselves honoring through their work. While controversies involving scholarly claims about religion are nothing new, this period saw an increase in vitriol that remains with us today. Authors of seemingly arcane studies on subjects like the origins of the idea of Mother Earth or the sexual dynamics of mysticism have been targets of hate mail and book-banning campaigns. As a result, scholars of religion have struggled to describe their own work to their various publics, and even to themselves.

Taking the reader through several compelling case studies, Patton identifies two trends of the ’80s and ’90s that fueled that rise: the growth of multicultural identity politics, which enabled a form of volatile public debate she terms “eruptive public space,” and the advent of the internet, which offered new ways for religious groups to read scholarship and respond publicly. These controversies, she shows, were also fundamentally about something new: the very rights of secular, Western scholarship to interpret religions at all.

Patton’s book holds out hope that scholars can find a space for their work between the university and the communities they study. Scholars of religion, she argues, have multiple masters and must move between them while writing histories and speaking about realities that not everyone may be interested in hearing.
 
[more]

logo for University of Chicago Press
World Population Growth and Aging
Demographic Trends in the Late Twentieth Century
Nathan Keyfitz and Wilhelm Flieger
University of Chicago Press, 1991
Drawing data from official sources in 60 countries, as well as from the United Nations and the World Bank, this compendium of statistical information on population, fertility, and mortality treats every one of the UN-recognized countries in at least summary form. With data from 1950 onward and projections through 2020, this volume extends the dataset of Nathan Keyfitz and Wilhelm Flieger's landmark work, World Population: An Analysis of Vital Data (1968), with virtually no overlap.

All the life tables, standardized rates, and projections have been generated by uniform methods to ensure easy comparison among countries. More than 800 charts provide a foundation for analyzing the radical demographic changes now taking place: the historic lows of fertility in Germany and other industrial countries, Africa's persistently high fertility, and the worldwide extension of life expectancy. The product of cautious and painstaking labor, this work promises to be an important resource for further demographic research as well as a valuable comparative resource for studies of the status of global social welfare and the environment.
[more]


Send via email Share on Facebook Share on Twitter